Shure sm7b preamp reddit. They're all very lacking.

 

Shure sm7b preamp reddit. The SM7B has low output level which is why it needs a preamp with at least 60db of gain. Works fine, no inline preamp/boost needed. You may however look for some other cheaper cools dynamic mics : Rode Podmic = $99 PreSonus PD-70 $129 Shure SM58 = $100-$150 Rode Procaster = $229 Hi, all! I'm new to the world of mics and audio, and I'm hoping for some help. Oct 27, 2019 · Been using an Allen & Heath ZED 6 (2016, newest model) as the preamp for my mics (currently a Shure SM7B and an Aston Origin). That’s the whole of my argument on Preamp for shure SM7B mic? Any recommendations for an interface for my SM7B? I’m using a focusrite solo 2nd Gen. Professional-grade design and build quality; Compact, space-saving design; Designed to complement dynamic microphones; The TONOR Mic Preamp is a remarkable device that promises to elevate your audio recordings, especially when paired with the SM7B. But you don't have to break the bank to get that gain boost, there are some unexpensive preamp boosters like the Klark Teknik CT-1 which can do just fine. My interface is currently a Profire 2626, which I'm happy with. 5dBV/Pa). The Octane pre's are okay but cannot run the SM7B as I'm sure you're all aware of. Noise EIN is -127. A Cloudlifter is not designed to help a noisy environment, just a noisy preamp, and may actually make the environment issue worse. Otherwise, it seems to always be powered on, with the Scarlett showing the mic picking up sounds even when I'm not using it. Posted by u/Lubby11 - 3 votes and 7 comments Buy a new audio interface before buying a preamp. He’s also a huge fan of the SM7b so no matter what he’ll recommend it. I have recently bought the Shure SM7B + Focusrite Scarlett Solo 3rd gen + Se electronics DM-1. That's why so many people recommend one with the SM7B. Yet my voice is always so quiet in discord when talking to other people. Just get whatever stand/mount you need to position the mic close to your mouth and point it away from the keyboard. In the end, you're buying a quality oreamp instead of compensating for not-so-quality preamp. I tried things like GOXLR, DBX 286S, Cloudlifters and none of these (or Scarletts at this price range) can provide clean gain. It's fine when I record vocals for music in adobe audition but seems to be quite quiet elsewhere (e. A lot of those streamers should just stick with an SM58, boom instant 10dB boost and sounds just as good for that purpose. No more cloudlifter required to boost the gain due to the in-built pre amp. Since it is so well received, I borrowed a Sm7b from a friend and did some shootouts on guitar & bass amps, snare, kickdrum, toms & vocals. I've used Shure mics in the past but never one of their preamps. From reviews, I knew I'd need more gain to utilize It’s great, you’ll love it. If you’re comparing a $400 SM7b to a similar $400 condenser from Rode, AT, sE, etc the SM7b will be less noisy because it is a dynamic. Meaning you'll be cranking them 100% to get an SM7B up to acceptable levels. I would use it to record vocals for jazzy flavoured songs. I actually bought it well before I even bought my SM7B. Btw i own a Shure Sm7b, but i also own a discrete analogue preamp wich reaches 75 db of gain and its quiet expensive. do i need a better amp than the solo? Also there's plenty enough of gain to power the SM7b with GoXLR mini or not, they got the same preamp (72dB vs 60dB required). Many people add an in-line booster amplifier like the Cloudlifter, se Dynamite, or similar (which may require a 2nd short mic cable). Anyone have any input or an explanation on what I’m not understanding? I’ve never used a cloud lifter , always used real preamp, so I don’t know anything about that, with a decent pre amp and no cloudlifter, an sm7b, singing into it with your mouth practically in the foam, and a reasonable interface, probably even yours, you should be able to get a usable sound or at least a decent recording of whatever source is. (yes/no inline preamp, audio interface, etc. i tried the vocaster one out which has a gain of 69-70db so is MORE than enough but what killed it for me is that they made direct The SM7B is a notoriously low-output mic and many people attempting to use it are not prepared for the difference. From reviews, I knew I'd need more gain to utilize While I don’t consider the sm7b “dark” the preamp will make a world of difference in how it responds. They're all very lacking. Most mics (especially condensers) benefit from high preamp impedance (the default values being 1000 Ohm or more). Yes, I am aware you can use the SM7B's RK345 wind screen on the MV7. Esp when I explain that sm57 and sm7b have the same unidyne 3 diaphragm design. Also condenser microphones will inherently have more clarity than dynamic microphones because they have a higher frequency response, they're just more sensitive therefore its assumed by many people that they are I think people can explore gear choice a bit more. That kind of microphone is primararily meant for (very) close miking a singer. The mackie mixer I have used (1604) seems to have pretty good preamps for the money. i compared it to sm57, Beyer m201, m88, m160, EV RE 320, sE V7x, Shure VP64 and i was super underwhelmed with this thing. 5dBV/Pa) but higher than the Audix OM7 (-61. It amplifies the signal further back on the chain, before it is processed by the audio interface. What I haven't seen mentioned is the benefit of a quality preamp with variable impedance options. The solution is to move the mic right up to your mouth, and use it as Shure intended it to be used. I didn’t buy the TB12 for the SM7B. He also talked about the Solo 3rd gen with the SM7b without using a cloud lifter or its alternatives, and doesn’t use a cloud lifter, but does boost the audio in post. Try to optimize your recording environment first: air is moving all the time in an untreated room. Can I plug my Shure SM7b into my macbook using just a scarlett interface 2i2, or do I need a cloudlifter or pre amp of some kind? I have looked around and some say it depends on how good your interface is, while others insist you NEED a cloudlifter otherwise it will sound crappy. The SM7b is meant to be used very close to the source (the long grille is there to prevent you from being too close and getting too much proximity effect), into a quality preamp. This is important for microphones that have a low output signal like the SM7B. I am able to get good output keeping the gain at almost 85-90% so I'm guessing 62ish db. luckily because im loud it worked perfectly if i positioned the mic directly in front of my mouth by 1-2 inches. Increase the budget a bit and you can get a Daking preamp. The SM7B requires about +60dB of gain at the pre-amp for speech applications, and my 4i4, looking at the documentation, offers only about +46dB. Yes, the noise you have is normal, as the SM7B is very not sensitive, so if you’re recording quiet vocals, you have to jack up the gain which also brings up preamp noise. I'm annoyed that the Shure MV7 has a horrible wind screen and the Rode PodMic doesn't have one at all. will the impedance of the focusrite preamp affect the 'color' of the sound, and, if so, do I want lower or higher impedance? can't find a clean answer to this specific question without technical answers going over my head. The downside to the sm7b is that it needs a lot of gain to get that flavor. It was originally designed for a broadcast disk-jocky and announcer mic and adapted well to the close-talking style of some radio personalities. It makes me cringe a lot. this is simply not true. Shure SM7dB is designed to make podcasting easy with your existing audio mixer or interface. People often assume their noise is from the preamp when it's microphone self-noise or ambient environmental noise. As you may know, the SM7B and SM7dB are the same mic with the exception that the latter has a built-in preamp. Looks like the Scarlett Solo has 56db. 2ish dDu which is worse than say fethead's -130uDb so if you plan to use a fethead the output will surely benefit, but if you don I’m an amateur recording artist in my dorm room, and I purchased a Shure SM7B and I just recording using with an old tube preamp and a Focusrite Scarlett Solo, and things sound pretty alright and it seemed like it picked up sound better with the preamp than without, but does anyone have any tips on how to use the preamp and the focusrite in the most optimal way? All those (not sure about the Shure to be honest) have an EIN of at most -128 dBu and max gain of +56 dB or more. extensive testing has been done and the only difference between (SM7B + CL + interface) vs. I recently bought my first nice microphone, the Shure SM7B. The cost difference is $100 which, coincidentally, is the cost of most of the nicer inline preamps. See full list on theseasonedpodcaster. The 2i2 has the least gain and most noise of the four and I still doubt a CloudLifter is of significant value at all, even with an SM7b. They are very gain-hungry, and the 60db of the M4 is the lower limit for what you need. I was wondering if I need to worry about turning anything off, or reducing the gain, while the mic is not in use. There's a reason it's marketted and sold by Shure as a 'broadcast mic'. What is the best inline preamp for the Shure SM7B? When it comes to the Shure SM7B, we recommend these inline preamps as the best inline preamps for the Shure SM7B (in order): sE Electronics Dynamite DM-1 – https://currentprice. Thinking of an RME Babyface, but curious other options in that price range. The MOTU M2 is a great interface (it's the one I use), but keep in mind that the SM7B is a very gain-hungry mic. . I recent got a Shure SM7B and Focusrite Scarlett 2i2 3rd Gen (lucky me), with a Cloud Lifter on the way. Some purists will still recommend FET preamp on this kind of setup in order to get the cleaner sound possible, true, but it's something you can easily spare as the most noise will be heard when you'll be silent and so it's fixable with a light gate. I would say, however, that unless your full time job is content creation the audio quality ( providing you properly set up your equipment ) from less expensive microphones is totally sufficient for hobbyists. My current interface is a focusrite scarlett 18i8 with front preamps, will this be enough or will I need a cloudlifter/preamp to boost the signal? As others have mentioned, Shure SM7b mics are totally capable of professional studio results, even for vocals. A preamp is a “pre” amp. Jan 29, 2023 · This will bring the Shure SM7B up to an appropriate recording level and make the SM7B sound better. An inline preamp is really marginal for them. The Shure SM7B has a nice thick windscreen (A7WS) and the Rode Procaster/Podcaster also have great wind screens (WS2). ty for your time Unfortunately, r/asp_digital is probably right. not that it sounds bad, it is a decent mic, but on any of the named sources i preferred at least one of those other mics. I refunded that one, but I’m not sure if I want to spend $400 on a mic… I use an SM7B straight into the built-in preamps in my audio interface (Focusrite Scarlett 4i4) when I'm at home when doing video voiceover for some classes I teach. At best barely audible with side by side comparisons. Posted by u/[Deleted Account] - 5 votes and 32 comments everything I read says the SM7B wants a clean boost of sound. discord especially, and yes i have my volume high on that app). I recently purchased the SM7B, intending to use it for both live-streaming and recording vocals. The Sm7b is a dynamic microphone meant for close micing techniques. But the interface needs to have a mic preamp with at least 60 dB of gain and low self-noise, because the SM7B is notorious for its low output level. I have a Shure Sm7b mic, and a cloud lifter pre-amp. In the budget range it is also the board I see most commonly recommended. Solution is to get as close to the mic as possible- lips even touching the foam is fine— and also perform louder if possible. I am new to the audio equipment universe and have fallen into the internet wormhole of what other equipment is essential for this microphone. I got the SM7B (Not the dB version) and 2i2 4th gen, the 69db preamp gain is more than enough to power Sm7B. It's been 3 weeks now since I've replace all my studio gear (tube preamp/compressor/noise gate/mixer and Rode NT1a) with a GoXLR and a SM7B. The whole setup is simple and complicated at the same time. So no, the TB12 does not have way more gain than a FEThead + my interface preamp (that’s 100dB total). With that $500 you could get an ISA One, and use with your current mic. ) Getting an inline preamp like a Fethead or a Cloudlifter should give you adequate gain for an SM7B with any preamp that has phantom power. I have a universal audio Volt 276 audio interface which has an internal preamp or a mackie profx mixer interface. g. The results are just about passable. TL;DR: Preamp at max gain (with no clipping) is the best setting to maximize signal-to-noise ratio. Only relevance of the interface to the SM7B would be A: does it have a mic input (yes) and does the pre-amp have enough clean gain to use the mic (depends on how loud the sounce source is). It’s the original orangeface model. What is a good Pre Amp for the Shure SM7B microphone and is it even essential in recording high quality vocals I purchased the Shure SM7B microphone and have been noticing that when I record and export a sample the waveform is almost unseeable and forces me to compress a shit ton in order to hear the vocals. Your Issue most likely isn't pre amp or microphone noise. I’d prefer the volt FYI. TLDR: Getting solid input levels for vocals running my sm7b straight into my scarlett 18i20. Yeah. The mic itself sounds fine to me as much as my voice is concerned, but the hiss / white noise is driving me nuts. cranking the gain without a pre-amp is the cleanest signal you can get. io/dynamite Ie, if you're using the SM7B halfway across your computer desk, of course you aren't going to get a usable signal. Jun 12, 2020 · SM7b has indeed a low sensitivity, -59dBV/Pa, according to specs, which is even lower than the insensitive SM58 (-54. Would there be enough gain if I plugged it directly into my mixer? Mar 20, 2020 · I’m looking at purchasing a Shure sm7b and i’ve looked at reviews and most people have said I need a preamp or cloudlifter. Inline mic boosters can help lower noise by a bit, as they are generally super clean- cleaner than most budget interfaces- HOWEVER, the FetHead Germanium is more of a character inline preamp, giving germanium transistor distortion for softer tone, basically like a clean fuzz pedal. It’s because you’re recording quiet vocals. I have used the SM7B for voiceovers into an Audient ID14 and needed that extra boost because the preamp gets a bit noisy when set to max. I dont get the Hype, ofc we see all them Social Media Guys using it, but there is way better mics if you don’t own a decent preamp. That was, until I took it apart and found out it was a fake. I think shure is good for entry level gear and even has a $100 harman tuned headphone, but always cringe at the sm7b posts. Most audio interfaces should be able to handle the SM7B. Key Features. This subreddit is for the budget minded audiophile that wants to grow out of soundbars, boomboxes, mini systems, portable bluetooth, lifestyle speakers, and PC peripheral branded audio solutions. My current setup SM7B -> Golden Age Pre 73 -> Rodecaster Pro. I have lots of mics. The solution is not to drop ~$200 on external hardware. It will still work, but you might find the noise floor a little high when you've got the gain cranked. Sometimes an sm58 does what an sm7b does, sometimes, the 7b adds just the right flavor. The SM7B requires about 60db of clean gain and you don't want to drive the preamp gain up to max because it will increase the noise. Shure engineers have painstakingly ensured that it has the same sound signature as the original SM7B. Of course, with that I need some heft for a preamp or a cloud lifter. Reply reply I've used both (not with a goXLR mini) and the Shure SM7B is a much better microphone, there's no doubt about that. I can't imagine the 2i2 is much different. How much of a difference will a cloudlifter/ dbx 286s/ other pre amp make? Not sure why everyone seems to say a cloudlifter is a necessity for the sm7b. I am not sure if this is the mic defect, the audio interface / in line preamp being crap, or everything combined. My interface has 80dB of gain in its own preamps. Missing a word, but most people seem to have understood. I got a “deal” on a Shure SM7B from Mercari a few months ago for $200, and thought it was gonna be great. The key difference, therefore, is the active preamp designed by Shure inside, giving each SM7dB enough output level to work with any XLR interface. We'll cover mic position, gain settings, and whether or not you need a Coudlifter inline preamp with this setup. So y’all changed my mind from getting a baby blue bottle condenser mic to the Shure SM7B. He also has the gain on the his Scarlett at 100% though. Using the dbx preamp, you'll get well over enough sound level for the SM7b. In this article, we'll explain how to connect and set up the Elgato Wave XLR audio interface and Shure SM7B dynamic microphone. AKG 414, Neuman U-87: more resolution, and there's proximity effect which gives some bassy meat to a thin voice). Shure themselves recommend a pre-amp with a minimum of 60dB of gain. I'd personally recommend the Fethead since they're cheaper than a Cloudlifter and you also don't need an extra XLR cable to use it. The sensitivity of that mic appears to be about 4dB off from a SM58 and I get really good results with it for live sound at least. A better pre amp WON'T solve your ambiance issues. Hi, all! I'm new to the world of mics and audio, and I'm hoping for some help. (SM7B + interface with max gain) is an occasionally even worse signal to noise ratio. Dynamic mics are not the first choice for vocal mic in the studio-- most engineers would go with a large diaphragm condenser mic (e. So ive actually ran into the same issue, bought the shure sm7b then realized my 2i2 gen 3 vocaster only had 56db gain but the shure sm7b needed 60. The GoXLR has enough preamp gain to drive the SM7B just fine. So adding on +28 from the Dynamite DM1 is necessary to bring the mic into territory where it doesn’t sound weak or anemic, and also to avoid cranking the 4i4’s pre so high that it introduces noise. Or just buy another mic. Yes I’m aware that the SM7b is a dynamic, and dynamic mics are less sensitive. com May 12, 2009 · I've been looking into the Shure SM7b and there's no doubt that it's an incredible mic, but since I don't have a decent pre amp, I wonder if it's worth buying it. My PC is very loud and I needed a cardoid dynamic mic to get a much cleaner sound. Probably old news by now, but I would suggest yes, you need a preamp for the SM7B. The classic low-cut and mid-boost switches and bypass filters available. Cloudlifter adds $100 to the budget, then the SM7B is another $400. The M2 has this on each channel, but that'd mean you're pushing the gain volume to 100%, which can then introduce background noise to your recordings. I have an SM7B and a Dynamite stick and it definitely reduces the hiss because you don't need as much gain from the preamp. Similar priced condenser mic. Just as beginner who don’t want to spend to much money, go for the rode It just sounds like background electronic hiss from the mic preamp in the interface. ieqfqmo dbi kpfvjv dbszv rec wdlb syceeabyp dkqrti ajirhf exp